Loreen in QX, November issue 2012 (English)
Greatest in Europe
Loreen recently released her extremely anticipated debut album. We felt that it was time to once again let the Eurovision winner grace the cover of QX and talk about the album, the past year and her love for her gay fans, which she says has taken her to where she is today.
We haven’t seen each other since the night before she went to Azerbaijan. Then we hugged each other before her promotional gig in a room on Drottninggatan in Stockholm. Then I knew that she would go to Baku and win.
Now here we are five months later. Euphoria is one of the most successful Eurovision winners ever and has been number one on the charts in seventeen European countries.
- The past six months have consisted of previously booked gigs, new after-victory-promotion and the completion of my album. It’s been hectic. I could receive a mix of a song while I was in Spain and then change it the way I wanted it in a studio in Germany.
Most of the Swedish gigs that were booked before the Eurovision victory were conducted despite the demand after her abroad.
- I wanted to get out and meet those who support me, and I refused to cancel. It would have been terrible not to give them something back, she says seriously.
The difference between Loreen before she competed in Melodifestivalen in Växjö in February and now, isn’t big. But she says that she’s become more hard-bitten. She dares to put her foot down when she doesn’t feel that she is following what is going on.
- This has been a great test. How important it is to protect your identity. I see that people around me have a financial interest and want to strike now, and that’s okay. But I have to think of myself too. I have stood, as an only woman, at the record company and struggled for what I want. I have, of course, gained knowledge on how things work before, because to go there and not have a clue of what’s going on is not going to work. In international terms, there is a way of production thinking that differs from Sweden, and I’ve become aware of that. But I am the creator, and there must be a respect between the businessmen, strategists and me. That’s just the way it is.
Have you had any personal time since you won?
- I’m starting to have some now, and then I’m just home. I meditate and do things that have nothing to do with my work. I can just simply sit down…. it may sound boring but it’s so nice to turn off the phone and just be. I feel comfortable in my own company.
How does your home look like?
- It’s very simple. I need a platform that grounds me and I don’t like to own things. I don’t have lot of furniture and stuff, and there are no pictures on the walls. Just one red dot, for focusing.
I’m trying to get an idea how big that red dot appears on a blank wall. Is it big? Handpainted or printed? But before I can ask she continues:
- I recently renovated a bedroom into walk-in closet. A friend helped me with it, because I need to be able to structure. I borrow a lot of clothes, and must maintain the arrangement of it. If it’s a mess then it’s a controlled mess, I’m pretty pedantic. I want it to be clean when I come home after a work trip. I could miss flights, and actually have missed flights, because I had to clean so that things are where it’s supposed to be when I get home.
She laughs.
I can imagine that the people around her wouldn’t do the same if they knew Loreen missed the flight because she had to vacuum clean when she was supposed to be sitting in a taxi on the way to the airport.
The most common question Loreen has received in the past year has been about how it felt to win and it bothers her a bit. Partly because she says it wasn’t she who won, it was her team and everyone who believed in her. Partly because her focus was on performing as good she possibly could on stage, and she didn’t have time to really realize how the victory itself felt.
- But there’s one thing about this whole Melodifestivalen and Eurovision that bothers me. I hate the notion that “people with cred” say that there’s only nerds who watch Eurovision song contest, and that ordinary people don’t understand what good music is. Some journalists have said that I differ from the rest in the contest, and I’m not like everyone else. Don’t sit around and talk shit. What gives them the right to say what’s good music and what’s uncool? I have been a bullied victim all my life I don’t want to belong to a group who thinks that they are better than others. I’m so glad that people connected to my performance, that they believe in something different.
Loreen has shown that “different” works in bigger contexts, and when Melodifestivalen kicks off next year, it feels like she has re-written the rules for what the Swedish people will vote for. But it wasn’t an easy road. There were a lot of opinions on her performance before she won Sweden’s fifth victory in Eurovsion: Too dark, too introverted, too separate and too much fringe.
- I like my fringe . It’s a little protection. We humans are always searching for the eyes, and if you can’t directly see the eyes, you detect differently. You listen better if you don’t get direct contact with the eyes, which are said to reflect the soul.
The album Heal, that was released a few days ago, has been eagerly awaited. And according to me, who was able to hear a couple of tracks before ending the interview in May last year, she corresponds to the expectations. She creates her own sound. And the songs already released are dressed in new suits. My Heart is Refusing Me has become more of a dance tune and more “easy” while the single Sober has become darker.
- Sober sounds now like I originally wanted it to sound. The version that was released is a compromise and I have always been irritated over that. I wanted to give the story a different sound and make it darker.
She smiles. She’s aware that it’s easily a lot of pain in the songs and that she has to balance with lighter productions so that “you wouldn’t only to want to cut your wrists”
- I am pretty “light” myself. But then I end up in my trances and it becomes something different, something with a lot of pain. It’s a process … and who knows, maybe there will be a light romantic record in the future.
She smiles and continues:
- So I looked into what songs I could make “lighter”, and MHIRM … already exist in another version, so now it could be created in this way. I tire quickly with productions and like to play and be creative. And it’s just pure mathematics really: A record that only has pain from beginning to end is …the pain becomes more accessible if you get breathing space in-between. Otherwise you can’t take in the message.
Message yes. Loreen was not only unique in the Eurovision by taking home a crushing victory and giving us a performance we haven’t seen in this context before. She also dared to take a position in Azerbaijan, and visited human rights organizations between rehearsals and cocktail parties.
- Everything I do has a connection to people. I want to make others feel something, and it’s not for my own sake. To just go up on a stage and pose gives me nothing, then I might as well stand in front of the mirror at home. In Baku I got the press on my side and they wrote about other things than that I slipped on stage and what I wore on stage. I wish there had been more time there, so I that could have set up even more meetings.
She talks about a gig she did in Belarus. How she had to talk in codes when she called home, how had to be sneaky to meet people for dissident organizations and how she realized it was useless to argue when she didn’t want to go in President Lukashenko rented limousines.
- I took the money I earned and gave them to an organization working for human rights. It was the only right thing to do for me.
She strongly disagrees with those who think that Eurovision shouldn’t be organized in countries with oppression and dictatorship.
- When people said, ‘Should Eurovision really be in Baku, they’re xenophobic and don’t like gays, “, I was against it. If it’s somewhere that Eurovision should be it’s right there. It’s great that we can go there and highlight the problems. It’s terrible that people can’t live freely.
I understand why you were popular amongst Eurovision fans, which largely consists of homosexuals.
- I was embraced by the gay community from the start. I would probably not be sitting here today if it had not been for that support. We stick together, the one’s who feel the need to protect people who are different.
What do you mean by “we”?
-We who … act in a different way, that don’t think female/male, who doesn’t want to be labelled. The one’s that are different according to the masses.
She smiles and continues:
- That’s the way it is. I will not forget who was there from the start. And I understand why. Takes one to know one (laughs). It’s because you are different.
Last time I interviewed you for QX you said something that I’ve carried with me. “Love is where you find it.” I like that way of thinking.
- Yes, that love should be defined by whether you have a penis or a pussy is quite sick.
She points to the genital area, and then the heart.
- This is pleasure, this is the heart. It’s really not that hard.
A Eurovision winner has spoken.
Translation by Ajda!
Loreen interview for Sputnik.de + photo
Loreen at radio SAW in Germany yesterday
Loreen interview in Holland yesterday
Loreen interview for Resumé
"Det tar x antal nitar och till slut är botten nådd"
Loreen är den alla talar om just nu, hennes låtar toppar listorna och hennes debutalbum "Heal", som släpptes i veckan, hyllas av bland andra musikjournalisten Jan Gradvall som "det bästa album en Eurovisionvinnare följt upp sin vinst med sedan ABBA."
Hon må nu kännas som något av en självklar stjärna inom svensk popmusik, men enligt henne själv hade hon inte varit det utan alla de lärdomar och "käftsmällar" hon har fått längs vägen. Från "Idols" scen via jobbet på tv-produktionsbolag till segern i Eurovision.
– Jag har alltid haft integritet. Det jag insåg under "Idol" var att jag inte ville ha någon som säger åt mig hur jag ska gå, stå och sjunga. Jag vet själv hur jag vill gå, stå och sjunga. Där av kom hela min process och utveckling; att jag själv ville ha kontrollen. Jag ville inte att någon kom och sa: "Lilla gumman du mixar väldigt dåligt" eller något sådant. Jag vill vara i kontroll över my destiny, säger Loreen till Resumé.
2004 startades det för Sverige nya musikprogrammet "Idol" i TV4. En av de 40 artister som valdes ut från slutaudition att gå vidare till kvalveckan var Lorén Talhaoui, som Loreen kallade sig då. I kvalprogrammet sjöng hon Céline Dions "Love Is On The Way", men blev bara trea och slogs därför ut ur programmet. Men tack vare juryn kom hon tillbaka som ett wild card, höll sig kvar i tävlingen i åtta veckor innan hon röstades ut och hamnade på en fjärde plats bakom bland andra Darin och den slutliga vinnaren Daniel Lindström.
Vad känner du när du tittar tillbaka på tiden i "Idol"?
– Att det var en väldigt viktig skola för mig. Det var avgörande för mig då många frågor dök upp på grund av själva formen på programmet.
Du menar att tävla i musik, vilket du har gjort några gånger nu?
– Ja, det går egentligen inte att tävla musik, så det är en kompromiss för mig. Samtidigt skapade "Idol" möjlighet för vem helst med skills att lyckas och lära sig. Alla har inte de rätta kontakterna och ingångarna till musikvärlden. Eller all den kunskap som man inte kan lära sig i skolan.
Under tiden i "Idol" kunde Loreen känna en frustration över att hon inte förstod hur arbetet gick till bakom kamerorna. Hon förstod inte vad producenterna "snackade om" när de pratade kameravinklar och manus.
– Jag var så otroligt grön. Jag gick från att ha sjungit för typ 200 personer på sin höjd i någon aula till att stå framför hela svenska folket samtidigt som någon dömde mig. Det var svårt att känna vad som var jag i det hela.
Så efter "Idol" fortsatte Loreen inom tv-världen, men denna gång bakom kamerorna, då hon kände ett behov av att försöka förstå den bättre.
– Först fick jag ett erbjudande om att bli programledare i TV400, men det passade inte mig alls. Sedan dröjde det inte länge innan jag började jobba bakom kameran i stället. Det var då polletten ramlade ner när lärde mig att klippa, att regissera och rörde mig med den typen av människor som kunde lära mig. Jag bara tog in allt och fattade inte förrän efteråt att detta kontrollbehov kom av att känna trygghet inför alla beståndsdelar som tv-produktion innebär. Något som jag inte kände under "Idol".
Under sin tid i tv-produktionsvärlden arbetade hon som inslagsproducent och regissör för realityserier som TV3:s "Värsta pojkvänsakademin", TV4:s "Matakuten" och SVT:s "Frufritt".
– Det är jävligt intressant hur reality-tv funkar. "Värsta pojkvänsakademin" var det som var tuffast för mig att göra. Med "Matakuten" skötte jag mer av den politiska linjen i programmet och jag var inte den som gjorde narr av folk. De flesta program jag var med och producerade var liksom fair, men med "Värsta pojkvänsakademin" slog det mig hur fel det kan bli.
Hur menar du?
– Vissa program är lite på bekostnad av andra människor. Att man castar människor som snarare behöver vård än den sortens uppmärksamhet som reality ger dem. Visst är det vuxna människor som gör egna val att ställa upp, men det är viktigt att produktionsbolagen tar ansvar. Det blir en sådan jävla kontrast när de går tillbaka till vardagen.
– Det här handlar om människans psyke och produktionsbolagen borde ta lite mer ansvar så att folk kan ta sig tillbaka till sina liv på ett bra sätt, annars blir det en jävla käftsmäll. Det var viktigt för mig att jag fattade det. Att jag träffade de här människorna som inte mår så bra och att jag nu förstå de här sammanhangen.
Vad har du lärt dig av tv-produktionsvärlden som du tar med dig i musikkarriären?
– Jag vet vilka plattformar som passar mig som människa. Jag har koll på hur allt fungerar nu. Jag förstår hur journalister tänker och hur tv-producenter tänker och har all respekt för det. Att jag vet vad de är ute efter blir det lättare för mig att möta dem. Det kan vara skönt att jag pratar med deras termer, med deras språk, och att jag därför inte ställer konstiga krav eller annat som jag vet inte går. Det är en kommunikationsgrej för mig.
För Loreen har tiden inom tv-produktion gjort att hon numera kan ta ett större ansvar för alla delar av sitt artistskap. Som att regissera och klippa ihop musikvideos själv om hon vill och ta stor del av postproduktionen.
– Det är det jag menar, att back in the day hade jag ingen koll på de här grejerna. Där jag står i dag är de här kompenenterna så viktiga, jag skulle vara screwed annars. På detta sätt kan jag skydda min integritet och mitt konstnärsskap. Jag kan förklara min vision och kommer inte med för stora krav om jag vet hur deras budget fungerar eller vet hur vissa sekvenser måste tas om.
Hur håller du fast i integriteten när så många drar i dig?
– Jag kör med direkt kommunikation. Jag går inte runt gröten. "Det här står ni för, men det här står jag för." Jag kommunicerar min sanning på ett ödmjukt sätt, då funkar det. Jag ser ofta saker från ett högre perspektiv och vet att det viktigaste är att jag gör det som känns rätt för mig.
Hur känner du inför hela pr-biten som ingår i artistskapet?
– Jag har alltid varit så att har jag inte något intressant att säga så gör jag ingen press. För jag vet hur mycket ens ord kan påverka människor. Om det står att jag promotar bantningspiller så påverkar det folk. Kan jag inte inspirera med vad jag säger är det ingen poäng.
Är detta en utveckling du har gjort sedan Idol, att du har blivit bättre på att skydda din integritet?
– Ja, verkligen. De här insikterna känns så självklara nu, men förr har jag kompromissat och gått med på saker som inte känns helt ok. Det är käftsmällarna; att gå emot sitt eget system. Det tar x antal nitar och till slut är botten nådd. Nu har jag inget annat val än att göra det som är rätt för mig. Jag har inget annat val än att vara sann mot mig själv.
Du känns som en öppen person i mediesammanhang, men vad vägrar du prata om?
– När det kommer till hur mycket jag öppnar upp mig så kan jag bara dela med mig av allt som jag har processat för mig själv i mitt liv. Allt där jag har kommit till någon insikt. Med det har jag inga problem att prata om då jag tror att andra kan dra nytta av det. Det är därför jag kan prata om tiden i "Idol" eller på produktionsbolagen. Det finns en tanke med det.
– När det kommer till fame så är det mycket lite ego hos mig. Jag pratar väldigt lite om min favoritfärg och "jag jag jag". Jag pratar hellre om det som förhoppningsvis inspirerar och gör att folk connectar till det jag säger.
Tänker du på vad folk har för bild av dig?
– Både nej och ja, haha. Alla har rätt till sin åsikt om mig, det kan inte jag styra. Samtidigt är jag noga med att inte ge en bild av mig själv som kan påverka den yngre generationen negativt. "Super och knarkar du Loreen?" Nej, det gör jag inte. Den typen av positionering är viktig för mig och är något jag också har lärt mig att vara tydlig med.
Det påminner mig om mitt favoritcitat: "If you know better, you do better".
– Ja ja ja ja! Det handlar om att ta ansvar för sig själv.
Loreen on the Finnish Tv show "Heikki & Mikko Show" right now
Loreen video interview by radio "Mix Megapol"
Loreen interview for TV4 News (Swedish TV)
Loreen at Radio "Mix Megapol" (Sound & Pictures)
Loreen at Must Be The Music in Poland (Video, Picture & Interview)
Loreen at Hellenius hörna tonight!
Loreen interview in “Vallentuna Steget”
Loreen interview in “Vallentuna Steget”. Translation will come soon.
Scanned copies by me!
Loreen interview with "Hångla" year 2011
LISTEN TO IT HERE! Translation will come later, if I have time. ♥
Loreen interview with SVD
Interview found HERE!
Really insightful interview!
SVD.se - 19/10/2012
Loreen beyond EuphoriaShe is a human rights campaigner who do not appreciate politics, a spiritual person who does not like religion. Loreen isnow releasing her debut album, with flowing dark undertones from the artist who broke through with the most euphoric pop.
- I have not worked on this album for eight years, I have worked with myself for eight years, says Loreen.
Dressed all in black, with black pointed boots and the patented black hair Loreen feels like more than a pop star. She is a revelation. Wafer-thin, uber cool and smooth.
Calm has subsided somewhat since the Eurovision final in Baku, where she both managed to capture Europe’s musical heart and shake up an otherwise fairly tepid pop world by questioning the host country’s domestic politics. But now it is time again - releases, press visits, television appearances - Loreen jokes about how she flies around while the glaciers melt.
- It’s a carousel. Celebrity status is an illusion, and if you’re going to be in that position you should have something to say, I do not think you should waste people’s time, says Loreen.
But now is not the time for speaking out, with an album to promote. She says she has left the glitzy Europe behind for a grimmer, more thoughtful tone. The album “Heal” deals with its own internal dissensions, but Loreen does not think her own image of herself has changed since the spring’s big break.
- Absolutely not, quite the contrary: I have been thick skinned. I must be. I thought I was keeping my integrity “back in the day” - that I was strong - but this attention reaches a whole new level when it is international, she said.
The album’s darker streaks explains Loreen as a way to raise the problems of life, rather than creating a barrier around her. She thinks we should use music to discuss mankind’s big questions.
- I do not like doom and gloom as a kind of identity. However, I know that the first step in a process of becoming whole as a human being is to focus on certain key issues. So I sing of false security, destructive behaviors and bitterness to open up for discussion. It fascinates me - very‘re based on my own experiences and thoughts.
Loreen seems a curious humanist, and a spiritual one. She speaks of energies between people and released suddenly and with sweeping hand gestures to his great interest in quantum physics. While she stresses that she is not religious.
Even outside of music, she has become known as an interested problem solvers - the Eurovision finals stated she is the only artist dissatisfaction with Azerbaijan’s policy, and when she visited Belarus in July, she managed to arrange a meeting with the human rights group Viasna.
But Loreen emphasizes that she is not a politician.- I understand that human rights and politics go hand in hand, but actually I’m quite uninterested in politics. My focus is right on people - I can influence people, things affect me, and it’s because I‘ve lived with many different problems around me. Why am I such that interested in women’s rights? Well, it’s because I’m from Morocco, and Morocco has not the woman always had it so easy.
What the next step is in Loreen’s career she does not know, or maybe she does not want to speculate yet. Loreen says she is not planning on changing her approach to music, yet she is not afraid to change her mind and go where she feels at that moment.
- I have a structure, I have a plan and a strategy, but I’m also fully aware that it can go straight to the woods, says Loreen and laughs.
Loreen in "Kalle Moraeus med mera" ENGLISH SUBTITLES PART 2/2
Loreen in "Kalle Moraeus med mera" ENGLISH SUBTITLES PART 1/2
Loreen at Radio "Vakna! Med the voice" this morning
Loreen interview with Radio P3
Loreen in idol 2004
Loreen interview for Situation Sthlm (English translation)
Now will Loreen's first album be released. Heal is a cleansing of her system, but is also about acceptance and "forgiveness." To be healed. We meet the singer and she will tell us about spirits, the importance of being quiet and the loss of a father.
Read the full interview in the Situation Sthlm # 182
Text: Mary Hagstrom